“Its darting fragments and solitary staccatos offer vegan austerity next to the red-meat indulgence of Mahler’s romantic ‘Symphony of a Thousand’.” — Vivien Schweitzer New York Times, October 13, 2008
On Simon Rattle and the Berlin Philharmonic in New York: “The Adagio of the Ninth was a classic Berliner tour-de-force: the extreme polish of the playing in every section created a fabulous mirage of music as three-dimensional space.” — Alex Ross, New Yorker, December 3, 2007, p. 107
Tonloses Geraschel (Peter Uehling: “Tonloses Geraschel,” Berliner Zeitung, September 27, 2006, p. 30) Natureuphorien Verdämmernde Exposition Streicherwärme Julia Spinola: “Streiflicher aus dem Jenseits,” Frankfurter Allgemeine Zeitung, September 30, 2006, p. 41.
molldüster engelhaft süßes Tenortimbre flehentlich-expressive Nuancierung warme Baßfülle Julia Spinola on Mozart’s Betulia liberata at the Salzburg Festival. Frankfurter Allgemeine Zeitung, August 22, 2006, p. 31.
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